TAMON'S B-SIDE
A girl meets her favorite idol...and all of his unexpected personalities!
OVERVIEW
In Tamon’s B-Side, Utage Kinoshita finds herself working as the housekeeper of Tamon, her favorite idol from F/ACE, the hottest pop group she follows in effusive fandom with her closest high school friends. Only IRL he’s not anything like what she expects! Shy, insecure, and morose, she nicknames him Gloomyhara, and gives him the gentle structure he needs at home to navigate his life of stardom. But just as she grows accustomed to his endearing fragile side, another facet appears! And Tamon’s B-Side, Hottiehara, challenges her resolve to keep her beloved idol at a distance and remain in the good graces of communal fandom.
As her neutral footing grows increasingly shaky, she begins to interact with the rest of the group’s temperamental idols and their beleaguered manager, and her perspectives regarding her place in this world of false fronts and ever-changing personalities get much more complicated.
ANIMATION STYLE
Tamon’s B-Side pushes the visual boundaries of the typical rom-com into full fandom mania, with a profusion of hearts, flowers, and explosions of idol crush feelings. Juxtaposed with the proliferation of polka-dotted mushrooms and drizzling clouds over Gloomyhara, and the dazzling flirtatious charisma of Hottiehara, this anime boasts as much emotional effect as plot.
Bouncing between Tamon’s home life, onstage performances and behind the scenes interactions with the group, the viewer gets a heady dose of Kinoshita’s first hand experiences and high intensity reactions with the rotation of Tamon’s many sides only a high school girl can manage.
TARGET AUDIENCE
The target audience for Tamon’s B Side likes high-energy rom-coms, pop music, idol culture, and fandom dynamics, and alter-egos. Fans of Tamon’s B Side would be described as romantic, idol fans, and probably sing, dance and cosplay, even if it is just in the privacy of their own home.
OPENING, CLOSING & MUSIC
Tamon’s B-Side has the J-pop dance opening one expects from a teen idol group, making us feel like we’re watching a F/ACE music video. And the glimpse of Kinoshita and Tamon dancing together midway through the opening sequence makes anything seem possible! 😍
Check out Sweet Magic by the in-series group F/ACE on your favorite music streaming.
Ready to watch this anime? You can find it on Crunchyroll!
SIMILAR ANIMES
Fans of Tamon’s B-Side didn’t have to wait long for the next idol fandom romance since Pardon the Intrusion! I’m Home! aired in the 2026 spring season. When a young woman finds herself sandwiched between the apartments of her favorite manga artist and her dream IRL boyfriend, comedic hijinks ensue. This is a love triangle that isn’t sure of itself, as these strangers collide in fake relationships, manga fantasies, and secrets yet to be revealed.
For viewers who can’t get enough content about the entertainment industry and are willing to go to the dark side, Oshi No Ko will show you every struggle rising stars encounter.
For multi-sides of celebs, quirky self-conversations and hints of “maybe” romance, Skip Beat! is a fun exploration of what it takes to enter the entertainment world and aim for stardom.
And for viewers who love the rotating personalities of Tamon grounded in an everyday high school setting, Pseudo Harem flips the script when a high school girl tries to get her crush to fall in love with her — while only showing him the false fronts of the “pseudo harem” she creates for him.
SOURCE MATERIAL AND ANIME PRODUCTION
From Wikipedia: Tamon’s B-Side
MANGA
Written and illustrated by Yuki Shiwasu, Tamon’s B-Side was initially a one-shot published in Hakusensha‘s Hana to Yume magazine on August 5, 2021. It began its serialization in the same magazine on October 20 of the same year. As of March 2026, fifteen tankōbon volumes have been released.
In February 2023, Viz Media announced that they licensed the series for English publication; the first volume was released on October 3 of the same year.
ANIME
The anime television series adaptation is produced by J.C.Staff and directed by Chika Nagaoka, with series composition and episode scripts written by Chiaki Nagai, characters designed by Yōko Itō, who also served as chief animation director, and music composed by Takashi Ōmama and Natsumi Tabuchi.
Crunchyroll is streaming the series in North America, while Medialink licensed the series in South, Southeast Asia and Oceania (except Australia and New Zealand) for streaming on Ani-One Asia’s YouTube channel.
The Window Seat Anime Journal publishes both spoiler-free “Snapshots”, and long essays for those who want to a deeper exploration of its themes. Make sure to subscribe and never miss a post!







